{"id":1916,"date":"2018-01-17T17:05:05","date_gmt":"2018-01-17T16:05:05","guid":{"rendered":"http:\/\/edfkcit.cluster030.hosting.ovh.net\/?post_type=plus&#038;p=1916"},"modified":"2024-01-12T09:25:25","modified_gmt":"2024-01-12T08:25:25","slug":"collages-pourquoi-ces-titres","status":"publish","type":"plus","link":"https:\/\/ericbossard.com\/gb\/plus\/collages-pourquoi-ces-titres\/","title":{"rendered":"Collages : why these titles ?"},"content":{"rendered":"<h4><strong>Collages : why these titles ?<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<p>When creating my collages, a number of questions spontaneously arose. Above all, the matter of the relation between a work and its title. Starting with the following question: <em>does a work have to have a title?<\/em><\/p>\n<p>The answers are as various as the sensitivities. They range from <em>the work is self-sufficient<\/em>, to <em>every creation must have a name; without a name it does not exist<\/em>, to <em>the title must accompany a work rather than define it<\/em>.<\/p>\n<p>A title may not be essential for <u>a<\/u> creation. On the other hand, it does facilitate the identification of several works by the same artist.<br \/>\nIn this sense, a number, letter, symbol or even a date and being untitled are also titles. Without them, it would be difficult to refer to a creation by an artist, or those by different artists, at an exhibition.<br \/>\nHistorically, titles only appeared in the nineteenth century [1], with exhibitions precisely necessitating a category of the works to be made, in order to identify them.<\/p>\n<p><em>How do you give a title to an abstract work?<\/em><\/p>\n<p>A figurative creation often calls for a title that is directly related to the subject.<br \/>\nThe field of possibilities widens considerably for an abstract work. But is it a case of anything goes? In absolute terms perhaps. In reality, probably less so because the influences of each era induce certain leanings when choosing a title.<\/p>\n<p>Personal life, circle of knowledge, schools and artistic environment, news and media all combine to influence your choice. Even the random assignment of a title &#8211; with or without a title generator on the Internet &#8211; is a reflection of an era, ours.<br \/>\nIn contemporary art, the choice of a title would therefore be dependent on influences related to the socio-artistic-historical context more often than we think.<\/p>\n<p><em>Is it the same for an artistic creation?<\/em><\/p>\n<p>Often resulting from an artistic movement or based on new technology (video, inclusion, holography, inflatable sculpture, digital art, etc.), a work is &#8220;dated&#8221; by many factors. It cannot escape its time.<br \/>\nN.B. a creation called &#8220;timeless&#8221; is only so because it still meets some aesthetic criteria, invoice, sensitivity and subject of today. Although classified as &#8220;timeless&#8221;, it remains marked by the period of its creation (style, technique, support, etc.)<\/p>\n<p>Thus work and title are mostly dependent on the influences and currents of their time.<\/p>\n<p>My collages do not escape this observation.<\/p>\n<p>Influenced, among others, by the New Realists, my works &#8211; although having their own originality &#8211; are a reflection of our time. My titles are too.<\/p>\n<p>Many social, political and ideological movements in &#8220;ism&#8221; have lost their relevance in recent decades. Others have grown: anti-globalisation, social movements (related or not to the Internet), ecology, etc. I call my collages according to these recent alternative movements or, more rarely, according to precursory alternative people or currents.<br \/>\nMy choice of titles, however, remains subjective regarding their attribution to such and such a work.<\/p>\n<p>By clicking on the titles of the collages, an explanation or non-exhaustive definition appears in a pop-up window.<\/p>\n<p>These are usually excerpts. The reader is invited to deepen his knowledge according to his sensibilities. These notes primarily come from Wikipedia. A deliberate choice because Wikipedia is an excellent example of an alternative project. A sharing of collaborative knowledge that was at the heart of utopia. Its success demonstrates that it is not futile to pursue and support movements and projects that may seem idealistic.<\/p>\n<p>[1] Marianne Jakobi, Pierre-Marc de Biasi, S\u00e9gol\u00e8ne Le Men &#8211; &#8220;The making of the title&#8221; &#8211; CNRS editions &#8211; 2012<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Collages : why these titles ? &nbsp; When creating my collages, a number of questions spontaneously arose. Above all, the matter of the relation between a work and its title. Starting with the following question: does a work have to have a title? The answers are as various as the sensitivities. They range from the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":702,"comment_status":"open","ping_status":"closed","template":"","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"plus_category":[],"plus_tag":[205],"class_list":["post-1916","plus","type-plus","status-publish","has-post-thumbnail","hentry","plus_tag-choix-titre-texte-collage-explication"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"gb","enabled_languages":["fr","gb"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"gb":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/ericbossard.com\/gb\/wp-json\/wp\/v2\/plus\/1916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ericbossard.com\/gb\/wp-json\/wp\/v2\/plus"}],"about":[{"href":"https:\/\/ericbossard.com\/gb\/wp-json\/wp\/v2\/types\/plus"}],"author":[{"embeddable":true,"href":"https:\/\/ericbossard.com\/gb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ericbossard.com\/gb\/wp-json\/wp\/v2\/comments?post=1916"}],"version-history":[{"count":13,"href":"https:\/\/ericbossard.com\/gb\/wp-json\/wp\/v2\/plus\/1916\/revisions"}],"predecessor-version":[{"id":3583,"href":"https:\/\/ericbossard.com\/gb\/wp-json\/wp\/v2\/plus\/1916\/revisions\/3583"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ericbossard.com\/gb\/wp-json\/wp\/v2\/media\/702"}],"wp:attachment":[{"href":"https:\/\/ericbossard.com\/gb\/wp-json\/wp\/v2\/media?parent=1916"}],"wp:term":[{"taxonomy":"plus_category","embeddable":true,"href":"https:\/\/ericbossard.com\/gb\/wp-json\/wp\/v2\/plus_category?post=1916"},{"taxonomy":"plus_tag","embeddable":true,"href":"https:\/\/ericbossard.com\/gb\/wp-json\/wp\/v2\/plus_tag?post=1916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}