All embedments – Page 6 – Eric Bossard

Couronnes de montres ll (2016)

n°170 | Couronnes de montres II | 25x27x3cm | 2016

Billes II (2016)

n°158 | Billes II | 25x27x3cm | 2016

Boutons métalliques (2016)

n°165 | Boutons metalliques | 25x27x3cm | 2016

Pions en plastique coloré (2016)

n°161 | Pions en plastique coloré | 25x27x3cm | 2016

Boutons dorés (2016)

n°164 | Boutons dorés | 25x27x3cm | 2016

Couronnes de montres l (2016)

n°169 | Couronnes de montres I | 25x27x3cm | 2016

Seringues alignées (2016)

n°172 | Seringues alignées | 35x38x3cm | 2016

Trombones (2016)

n°166 | Trombones | 25x27x3cm | 2016

Super 8 (2016)

n°171 | Super 8 | 25x27x3cm | 2016

Petites perles foncées (2015)

n°155 | Petites perles foncées | 45x48x3cm | 2015

Boutons noirs (2015)

n°154 | Boutons noirs | 45x48x3cm | 2015

Boutons blancs nacrés (2015)

n°153 | Boutons blancs nacrés | 45x48x3cm | 2015

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n°170 | Couronnes de montres II | 25x27x3cm | 2016

n°158 | Billes II | 25x27x3cm | 2016

n°165 | Boutons metalliques | 25x27x3cm | 2016

n°161 | Pions en plastique coloré | 25x27x3cm | 2016

n°164 | Boutons dorés | 25x27x3cm | 2016

n°169 | Couronnes de montres I | 25x27x3cm | 2016

n°172 | Seringues alignées | 35x38x3cm | 2016

n°166 | Trombones | 25x27x3cm | 2016

n°171 | Super 8 | 25x27x3cm | 2016

n°155 | Petites perles foncées | 45x48x3cm | 2015

n°154 | Boutons noirs | 45x48x3cm | 2015

n°153 | Boutons blancs nacrés | 45x48x3cm | 2015

Eric Bossard was born in Geneva in 1954. After completing his studies in physiotherapy (Geneva) and ethnology (University of Neuchâtel), he spent seven years in Africa with the International Committee of the Red Cross (ICRC), UNICEF and as an independent ethnologist. He is currently working part-time as an artist.

The street and our society of over-consumption are the prime focus of Eric Bossard’s works and in fact furnish the “raw material” for his collages and acrylic inclusions. This includes things destined for the dustbin or for recycling (advertisements, leaflets and other waste dropped in the streets) and objects no longer needed and offered for sale in flea markets.

For these abandoned objects which no longer serve their original purpose, Bossard creates new roles, giving a metaphorical meaning to things that have lost their original value. He bestows on them a second life. A kind of artistic upcycling process that highlights the fact that our waste mirrors our consumer society. An image that we tend to prefer to ignore.